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Dan Flavin: A Retrospective»rank: 172384by: Michael Govan, Tiffany Bell
: :Dan Flavin (1933–1996) is considered one of the most important and innovative artists of the late twentieth century. The simplicity and systematic character of his extraordinary work, along with his relentless exploration and ingenious discovery of an art of light, established him as a progenitor and chief exponent of Minimalism. Uniquely situated outside the mediums of painting and sculpture, the majority of Flavin’s work after 1963 consists of art made from light.This landmark book—the first retrospective publication of Flavin’s art since 1969—includes around 45 of the artist’s most important light works, beginning with a pivotal series of constructed boxes with attached incandescent or fluorescent lights, called “icons,” made from 1961 to 1963. ... |
Juan Munoz: A Place Called Abroad»rank: 967214by: Lynne Cooke, Michael Govan, Juan Munoz
: :Artwork by Juan Munoz. Text by Lynne Cooke, Michael Govan. |
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Bridget Riley»rank: 1246422by: Lynne Cooke, Michael Govan, Bridget Riley
: :This book documents Bridget Riley's current exhibition at New York's Dia Center for the Arts, Reconnaissance, which brings together seminal paintings from the early 1960s, landmark works esteemed via word-of-mouth but not often seen. These works are shown together with others from the later 60s and 70s to chart the early career of this highly influential but--especially in the US--all-too-little-known artist. Riley's dynamically abstract paintings from the 1960s and 1970s long ago secured her a permanent place in the history of postwar art. Despite this widespread acclaim, Riley's work has been exhibited in the US only on a few occasions. In Reconnaissance, the artist's first solo exhibition to originate in the US ... |
Theanyspacewhatever»rank: 401765by: Michael Archer, Jan Avgikos, Daniel Birnbaum, Ina Blom, Stefano Boeri, Francesco Bonami, Nicolas Bourriaud, Xavier Douroux, Patricia Falguieres, Heike Foll, Hal Foster, Massimiliano Gioni, Michael Govan, Dorothea Von Hantelmann, Jens Hoffman
: :During the 1990s a number of artists claimed the exhibition as their medium. Working independently or in various collaborative constellations, they eschewed the individual object in favor of the exhibition environment as a dynamic arena, ever expanding its physical and temporal parameters. For these artists an exhibition can comprise a film, a novel, a shared meal, a social space, a performance or a journey. Their work engages directly with the vicissitudes of everyday life, offering subtle moments of transformation. This catalogue, which accompanies a major exhibition at the Solomon R. Guggenheim Museum, New York, is the first in the U.S. to examine the dynamic interchange among a core group of these artists--Angela ... |
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Richard Serra: Torqued Ellipses»rank: 875198by: Lynne Cooke, Michael Govan, Mark Taylor, Richard Serra
: :Torqued Ellipses is a new series of sculptures by Serra which mark a departure in the artists work. Never before have these spaces been articulated in sculpture or even in architecture. |
BCAM/LACMA/2008»rank: 518983by: Lynn Zelevansky
: :BCAM/LACMA/2008 marks the opening of LACMA's new three-story contemporary-art building, designed by Pritzker Prize-winning architect Renzo Piano. The centerpiece of the book is the fascinating--and hitherto largely untold--history of contemporary art at LACMA, written by Lynn Zelevansky, curator of contemporary art. Zelevansky's 26,000-word essay is profusely illustrated with signature works from the collection and numerous historical and documentary photographs. In addition, an essay by LACMA's Director, Michael Govan, explores the synergetic enrichment of the museum's contemporary holdings by the world-famous collection of Eli and Edythe Broad, illustrated with 30 full-page reproductions of masterworks and recent acquisitions. A conversation with Govan, Broad and Piano provides intimate background details on the entire collaborative building ... |
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Dan Flavin: The Complete Lights, 1961--1996»rank: 171034by: Michael Govan, Tiffany Bell
: :Including and augmenting the exhibition catalogue on Dan Flavin’s art (see opposite page), this remarkable book features a complete catalogue of over 750 of the artist’s light works. Presenting all of Flavin’s lights together for the first time, this is the only publication to document the artist’s entire career. Flavin’s art has not been widely reproduced, and this definitive volume includes hundreds of images—featuring exquisite new photography—of well-known pieces as well as many rarely seen and unknown works. Each light work is illustrated by a beautiful color reproduction and/or a graphic diagram. Comprehensive information on each work, including title, date, medium, dimensions, edition, exhibition history, bibliography, and a brief discussion, reveals new ... |
Art of This Century»rank: 2535183by: Jennifer Blessing, Julia Brown, Andrea Feeser, Diane Waldman, Michael Govan, Thomas Krens
: :Now in Paperback This lavishly illustrated book explores a century of Modern art through the exceptional holdings of the Solomon R. Guggenheim Museum, New York, and the Peggy Guggenheim Collection, Venice. Engaging, accessible essays introduce a range of art-historical issues, from the depiction of women in Impressionist works to the Guggenheim's influential role in presenting new artistic currents, such as Minimalist, Conceptual and site-specific art. Also recounted are the fascinating stories of Solomon R. Guggenheim, who championed abstract art in the United States, and his flamboyant niece Peggy Guggenheim, an equally important art patron, as well as the saga of the design process and building of the Solomon R. Guggenheim Museum, one ... |
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Robert Lehman Lectures On Contemporary Art No.3»rank: 1426876by: Jonathan Crary, Boris Groys, Berenice Reynaud, Elaine Showalter, Victor Stoichita, Peter Wollen, Lynne Cooke, Jan Tumlir, Michael Govan, Pamela Kort, Robert Irwin, Joseph Beuys, Stan Douglas, Douglas Gordon, Rodney Graham, Vera Lutter, Bruce Nauman, Thomas Schutte
: :This third volume of collected theoretical and critical essays focuses on Dia's exhibitions from 1998 through 2000. As in the first two volumes, nine diverse contributors are included, ranging from art historian Jonathan Crary and philosopher Boris Groys to film theoretician Peter Wollen, from curator Russel Fergusson to cultural critic Elaine Showalter. These writers, among others, take on the challenges of illuminating, analyzing, and exploring the work of a disparate group of internationally recognized artists, including Joseph Beuys, Stan Douglas, Douglas Gordon, Rodney Graham, Bruce Nauman, and Andy Warhol. Together, the essays in this book present a broad-based account of contemporary artistic practice, criticism, scholarship, and theory. |
Refigured Painting: German Image 1960-88»rank: 664091by: Thomas Krens, Michael Govan
: :This third volume of collected theoretical and critical essays focuses on Dia's exhibitions from 1998 through 2000. As in the first two volumes, nine diverse contributors are included, ranging from art historian Jonathan Crary and philosopher Boris Groys to film theoretician Peter Wollen, from curator Russel Fergusson to cultural critic Elaine Showalter. These writers, among others, take on the challenges of illuminating, analyzing, and exploring the work of a disparate group of internationally recognized artists, including Joseph Beuys, Stan Douglas, Douglas Gordon, Rodney Graham, Bruce Nauman, and Andy Warhol. Together, the essays in this book present a broad-based account of contemporary artistic practice, criticism, scholarship, and theory. |