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Slavery in Florida: Territorial Days to Emancipation»rank: 501372by: Larry Eugene Rivers
: :This illustrated social history of slavery tells what life was like for bond servants in Florida from 1821 to 1865, offering new insights from the perspective of both slave and master. Starting with an overview of the institution as it evolved during the Spanish and English periods, Larry E. Rivers looks in detail and in depth at the slave experience, noting the characteristics of slavery in the Middle Florida plantation belt. He examines the slave family, religion, resistance activity, slaves' participation in the Civil War, and their social interactions with whites, Indians, other slaves, and masters. Rivers also provides a dramatic account of the hundreds of armed free blacks and runaways among ... |
Larry Rivers: Art and the artist : March 3-27, 1993, Marlborough Gallery, Inc»rank: 6112722by: Larry Rivers
: :Published in association with the Corcoran Gallery of Art in Washington, USA this is a major retrospective of Larry Rivers. Rivers, one of the original Pop artists on the 1950s art scene, is known for his rich and eclectic style. Inspired by sources as diverse as the impressionists, Napoleon and Hollywood movies, Rivers' work shows a keen sense of history and adventurous spirit. He was active not only in the visual arts but also in jazz, poetry and theatre. Rivers was a pivotal figure linking together the art scenes in Paris and New York. Still going strong at age 76, he remains the key artist in the East Hampton, New York scene ... |
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What Did I Do?: The Unauthorized Autobiography of Larry Rivers»rank: 772146by: Larry Rivers, Arnold Weinstein
: :What Did I Do? is the testimony of one of America's finest artists and includes memorable perceptions [and gossip] of friends, lovers, rivals, and the jazz and art worlds: Frank O'Hara, Terry Southern, Leo Castelli, Jack Kerouac, Allen Ginsberg, John Ashbery, Clement Greenberg, Tibor de Nagy, Jackson Pollock, Delmore Schwartz, Rudy Burckhardt, Hans Hofmann, W.H. Auden, Miles Davis, Andy Warhol. Born Larry Grossberg in 1923 in the Bronx, NY, Rivers began his career in 1940 as a jazz saxophonist and composer, changed his name and became an American icon to artists everywhere. A great figurative painter, Rivers is also acclaimed as a precursor of pop art; an artist with an unashamed interest ... |
Larry Rivers: Painting and Drawings, 1951-2001»rank: 852150by: John Duyck, Larry Rivers
: :The photographs that fill the end papers of this 50-year retrospective show Larry Rivers between takes of Pull My Daisy with Jack Kerouac and Allen Ginsberg; then leaning against a car with a Speedo-wearing Frank OíHara; posing thoughtfully with Kenneth Koch; and playing sax at the Blue Bird. Facsimiles of creased and dog-eared review clippings include midcentury New York Times, Herald Tribune and ArtNews raves, and a 1997 Times piece crediting Rivers with bringing back ìhandmadeî art. A soft-edged aesthetic permeates his work, never contradicting the symmetry and glamour that led to the burst of late twentieth century and early twenty-first century high-fashion illustration that closes the book. |
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Auguste Rodin: Watercolors»rank: 997673by: Claudie Judrin, Larry Rivers, Auguste Rodin
: :Auguste Rodin's extraordinary watercolors are generally less familiar to the public than his grandiose bronzes which set standards for later generations of sculptors. Yet these studies, executed with apparent ease, are no less significant as works of art--indeed, their enthusiastic naturalism and openness make them almost more timeless and modern than his sculptures. In addition to preliminary watercolor studies for his 3-dimensional works, this section of Rodin's oeuvre includes a large number of erotic silhouettes, some of them quite explicit: cheerful, warm-hearted sketches with which the artist unabashedly papered the walls of his studio. This small volume presents a delightful selection of rarely-exhibited yet enchanting watercolors from the artist's estate, administered by ... |
Lays in Summer Lands»rank: 1542651by: John Willis Menard, Larry Eugene Rivers, Richard Mathews, Canter Brown
: :The beauty of John Willis Menard¹s poetry in Lays in Summer Lands stands out today just as it did when first published in 1879.Here, the weight of human experience and observation is transformed into lyrical delight and meaningful insights that continue to resonate generations after their creation.But, that is not all. Among the surprises that greet the reader of these poems is that their author was an African American and a Floridian who chose to offer his intimate thoughts, dreams, aspirations, and frustrations to a nation then entering the twilight years of its experience with social and political Reconstruction.The first African American elected to the United States Congress, Willis Menard turned his ... |
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For a Great and Grand Purpose: The Beginnings of the AMEZ Church in Florida, 1864-1905 (History of African-American Religions)»rank: 1762030by: Edgar Canter Brown, Larry Eugene Rivers
: : This history of the African Methodist Episcopal Zion (AMEZ) Church in Florida tells how dedicated members of one of the oldest and most prominent black religious institutions created a forceful presence within the African-American community--against innumerable odds and constant challenges. The African Methodist Episcopal Zion denomination established an official presence in the state one year before its better-known cousin and rival, the African Methodist Episcopal Church. When Connecticut native Wilbur Garrison Strong arrived in Key West in 1864, he stood out as the first black ordained minister in all of peninsular Florida. He brought with him the northern Methodist tradition of joyful praise and preaching, an ethos of a plain ... |
A Confederate general from Big Sur»rank: 1659270by: Richard Brautigan
: : This history of the African Methodist Episcopal Zion (AMEZ) Church in Florida tells how dedicated members of one of the oldest and most prominent black religious institutions created a forceful presence within the African-American community--against innumerable odds and constant challenges. The African Methodist Episcopal Zion denomination established an official presence in the state one year before its better-known cousin and rival, the African Methodist Episcopal Church. When Connecticut native Wilbur Garrison Strong arrived in Key West in 1864, he stood out as the first black ordained minister in all of peninsular Florida. He brought with him the northern Methodist tradition of joyful praise and preaching, an ethos of a plain ... |
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Blue Collar Holiday & A Valentine To Frank O'Hara»rank: 1962145by: Jeni Olin
: :'...Olins voice is both raw and strangely accommodating. This is a marvelous debut.'-John Asbherry 'Jeni Olin's poems are packed with emotional incident and strong, sometimes turbulent, feelings that she illuminates with ironic immediacy and brilliant insouciance...'-Tony Towle '...never veering far from her 'base,' her soul, it is both blindingly accurate and viscerally compelling poetry.' - Darragh Park. |
Laborers in the Vineyard of the Lord (The History of African-American Religions)»rank: 2102213by: Larry Eugene Rivers, Edgar Canter Brown, Larry Eugene Rivers, Jr. Canter Brown
: :Written by two eminent historians, Laborers in the Vineyard of the Lord examines the history of the African Methodist Episcopal Church in Florida from the beginning of Reconstruction to the institution of Jim Crow segregation, a period when the AME Church played a crucial role in the religious, cultural, and political lives of black Floridians. The book begins with an overview of slave religion and the first stirrings of African Methodism before 1865 and culminates with the formidable challenges that faced the church by 1895. Not only did the AME Church save lives for Christ, it emerged as a force to be reckoned with in politics. Men such as Charles H. Pearce ... |