Books : Search |
|
Books : Search |
|
Jim Dine: This is How I Remember, Now»rank: 334531by: Jim Dine, Susanne Lange
: :Jim Dine may be best known for his prints, paintings and sculptural works--and for being one of the founders of Pop art--but he has also been making photographs since 1996. Most of the photographs are set up in the studio. Often featuring multiple exposures, Gothic imagery and automatic-writing-like text, they tend to convey a tinge of Surrealism. Dine has said about his practice, 'I don't use Photoshop with all the things you can do. I photograph and then I preview. I preview all day until I get it right, but I get it right by changing the objects.' For this volume, which will be eye-opening even to Dine's most familiar ... |
Jim Dine: Pinocchio»rank: 584951from: Steidl
: :'Thanks to Carlo Collodi, the real creator of Pinocchio, I have for many years been able to live thru the wooden boy. His ability to hold the metaphor in limitless ways has made my drawings, paintings and sculpture of him richer by far. His poor burned feet, his misguided judgment, his vanity about his large nose, his temporary donkey ears all add up to the real sum of his parts. In the end it is his great heart that holds me. I have carried him on my back like landscape since I was six years old. Sixty-four years is a long time to get to know someone, yet his depth ... |
||
Jim Dine: Drawing from the Glyptothek»rank: 2054768by: Jim Dine
: :Jim Dine, originally linked with Pop art, has developed into one of the most remarkable draftsmen and preeminent artists of our time. |
Jim Dine: Birds»rank: 711618by: Jim Dine
: :Description: A childhood encounter with a crow at a zoo led to a lifetime fascination with avian life for the American artist Jim Dine. This encounter with the bird was perceived by the young Dine with a mixture of fear, fascination, and a deeper understanding of his unconscious world, and from it grew a mythic symbolism for the artist, which he explores in Birds, a series of remarkable black-and-white photographs. Here, an everyday, unspectacular bird might appear to the beholder as a character of mythology, as a jester at the medieval court, as a strange messenger from a world behind the scenes. These are rich, intimate, darkly detailed images imbued ... |
||
L'Odysee de Jim Dine: A Survey of Printed Works from 1985-2006: A Survey of Printed Works from 1985 - 2006»rank: 756519by: Caroline Joubert, Jim Dine
: :Jim Dine, among whose earliest major successes were late 1950s Happenings (on which he worked with Claes Oldenburg and John Cage, among others), has been associated with Pop, Neo-Dada and other mischievous movements of his era, and has survived them all. His visual work in mixed-media assemblages, to which he attached emotion-tugging souvenirs including clothing, shoes, rope and tools, led into what has become a remarkable, continually evolving corpus of paintings, sculpture, photographs, and, increasingly importantly, prints. Working not just from his own studios in Vermont, New York and London, but with production houses in Los Angeles, Vienna, Rome and Paris to name but a few, he has been creating ... |
Jim Dine: This Goofy Life Of Constant Mourning»rank: 884518by: Jim Dine
: :Description: This Goofy Life of Constant Mourning is the sincere title of a long visual poem by artist Jim Dine. The result of years of photographing poems after he has written them on walls and objects, it presents a symbiotic marriage of three very personal elements: his photographs, his handwriting, and his words. While unique in and of itself, this particular body of work is in keeping with Dine's greater oeuvre, a multi-disciplinary enterprise in which the artist seeks to access his unconscious. Regardless of which media Dine is working in, he maintains a familiar but ever-expanding repertory of images: tools, hearts and a torso of Venus, plus the more ... |
||
Jim Dine figure drawings, 1975-1979: Published on the occasion of an exhibition organized by the Art Museum and Galleries, California State University, ... October 15-November 11, 1979 (Icon editions)»rank: 909423by: Jim Dine
: :Description: This Goofy Life of Constant Mourning is the sincere title of a long visual poem by artist Jim Dine. The result of years of photographing poems after he has written them on walls and objects, it presents a symbiotic marriage of three very personal elements: his photographs, his handwriting, and his words. While unique in and of itself, this particular body of work is in keeping with Dine's greater oeuvre, a multi-disciplinary enterprise in which the artist seeks to access his unconscious. Regardless of which media Dine is working in, he maintains a familiar but ever-expanding repertory of images: tools, hearts and a torso of Venus, plus the more ... |
Jim Dine & Diana Michener: 3 Poems»rank: 1380416from: Steidl/Bose Pace Gallery, New Delhi
: :The artists Diana Michener and Jim Dine are married, have lived together in Paris and New York and Los Angeles, have photographed one another and one another's work, and have inspired and collected one another's work as well. 3 Poems celebrates the expressive relationship between black-and-white and color in their work, over the course of 96 pages with 23 tritone prints and 22 color plates. The photographs and poems can be read separately and collectively--the artists invite the viewer to explore both. |
||
Jim Dine drawings: February 16-March 17, 1990»rank: 1649505by: Jim Dine
: :The artists Diana Michener and Jim Dine are married, have lived together in Paris and New York and Los Angeles, have photographed one another and one another's work, and have inspired and collected one another's work as well. 3 Poems celebrates the expressive relationship between black-and-white and color in their work, over the course of 96 pages with 23 tritone prints and 22 color plates. The photographs and poems can be read separately and collectively--the artists invite the viewer to explore both. |
Jim Dine: Walking Memory 1959-1969»rank: 1665700by: Jim Dine
: :Jim Dine is one of America's best-known image-makers. This book, published to accompany the first major exhibition of Dine's work from the 1960s, reproduces a broad selection of his early mixed-media works, paintings and sculptures. Many of the works featured in this volume contain elements of the now-familiar themes of Dine's career: tools, robes, hearts, palettes and domestic interiors. Bringing together fascinating performance photographs with vivid full-color reproductions, the book is the first to explore the complex relationship between Dine's mixed-media works and his environments and theater pieces. Review:Jim Dine: Walking Memory, 1959-1969 accompanies a traveling exhibition that visits the Guggenheim Museum in New York City during the spring ... |