Books : Search |
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Books : Search |
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Effective living,: An interdisciplinary approach»rank:by: Lois Smith Murray
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Elizabeth Murray: Paintings and Drawings.»rank:by: Elizabeth & SMITH, Roberta (essay). MURRAY
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The Enchanted Isle»rank:by: David Murray Smith
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Engaging Characters: Fiction, Emotion, and the Cinema»rank: 1440982by: Murray Smith
: :Thrillers, tear jerkers, horror movies, melodramas--like so many movie terms, these genre designations immediately evoke characteristic kinds of emotional response. Yet emotion is a subject that film and literary theory have traditionally dealt with in only the most impressionistic and tangential fashion. Engaging Characters presents a precise discussion of the varieties of emotional response to films, integrating them into a larger theory of our engagement (or 'identification') with characters in both cinematic and literary fictions. Films and filmmakers discussed include The Accused; Hitchcock (including detailed analyses of The Man Who Knew Too Much [1956] and Saboteur); Godard; Ruiz; Bunuel's That Obscure Object of Desire; Dovzhenko's Arsenal and Preminger's Daisy Kenyon; Bresson's L'Argent; ... |
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ETHNOHISTORY VOLUME 38 NUMBER 4 FALL 1991»rank: 1440982by: Shepard (editor) [Sergei Kan, Michael F. Brown, Deborah Pellow, Jane Schneider, Raymond T. Smith, Murray L. Wax, Colin Calloway, Don E. Dumond, Eugene S. Hunn, David C. Grove, Jay Miller, William Schneider, Ralph H. Vigil, et al] (Ethnohistory) Krech III
: :Thrillers, tear jerkers, horror movies, melodramas--like so many movie terms, these genre designations immediately evoke characteristic kinds of emotional response. Yet emotion is a subject that film and literary theory have traditionally dealt with in only the most impressionistic and tangential fashion. Engaging Characters presents a precise discussion of the varieties of emotional response to films, integrating them into a larger theory of our engagement (or 'identification') with characters in both cinematic and literary fictions. Films and filmmakers discussed include The Accused; Hitchcock (including detailed analyses of The Man Who Knew Too Much [1956] and Saboteur); Godard; Ruiz; Bunuel's That Obscure Object of Desire; Dovzhenko's Arsenal and Preminger's Daisy Kenyon; Bresson's L'Argent; ... |
THE EUGENE O'NEILL REVIEW VOLUME 16, NO. 2 FALL 1992»rank: 1440982by: Madeline C. Smith, Richard Eaton, Edward L. Shaughnessy, Frank R. Cunningham, Stephen A. Black, David Aaron Murray, Yvonne Shafer, Marvin Carlson, Gary Vena, et al] (The Eugene O'Neill Review) [edited by Frederick C. Wilkins] [Eugene O'Neill
: :Thrillers, tear jerkers, horror movies, melodramas--like so many movie terms, these genre designations immediately evoke characteristic kinds of emotional response. Yet emotion is a subject that film and literary theory have traditionally dealt with in only the most impressionistic and tangential fashion. Engaging Characters presents a precise discussion of the varieties of emotional response to films, integrating them into a larger theory of our engagement (or 'identification') with characters in both cinematic and literary fictions. Films and filmmakers discussed include The Accused; Hitchcock (including detailed analyses of The Man Who Knew Too Much [1956] and Saboteur); Godard; Ruiz; Bunuel's That Obscure Object of Desire; Dovzhenko's Arsenal and Preminger's Daisy Kenyon; Bresson's L'Argent; ... |
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Eustace De St. Pierre»rank: 1440982by: David Murray Smith
: :Thrillers, tear jerkers, horror movies, melodramas--like so many movie terms, these genre designations immediately evoke characteristic kinds of emotional response. Yet emotion is a subject that film and literary theory have traditionally dealt with in only the most impressionistic and tangential fashion. Engaging Characters presents a precise discussion of the varieties of emotional response to films, integrating them into a larger theory of our engagement (or 'identification') with characters in both cinematic and literary fictions. Films and filmmakers discussed include The Accused; Hitchcock (including detailed analyses of The Man Who Knew Too Much [1956] and Saboteur); Godard; Ruiz; Bunuel's That Obscure Object of Desire; Dovzhenko's Arsenal and Preminger's Daisy Kenyon; Bresson's L'Argent; ... |
Excavations in Cyprus»rank: 1440982by: A.S. Murray, A.H. Smith, H.B. Walters
: :Thrillers, tear jerkers, horror movies, melodramas--like so many movie terms, these genre designations immediately evoke characteristic kinds of emotional response. Yet emotion is a subject that film and literary theory have traditionally dealt with in only the most impressionistic and tangential fashion. Engaging Characters presents a precise discussion of the varieties of emotional response to films, integrating them into a larger theory of our engagement (or 'identification') with characters in both cinematic and literary fictions. Films and filmmakers discussed include The Accused; Hitchcock (including detailed analyses of The Man Who Knew Too Much [1956] and Saboteur); Godard; Ruiz; Bunuel's That Obscure Object of Desire; Dovzhenko's Arsenal and Preminger's Daisy Kenyon; Bresson's L'Argent; ... |
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Family Prayers»rank: 1440982by: Alexander Murray Smith
: :Thrillers, tear jerkers, horror movies, melodramas--like so many movie terms, these genre designations immediately evoke characteristic kinds of emotional response. Yet emotion is a subject that film and literary theory have traditionally dealt with in only the most impressionistic and tangential fashion. Engaging Characters presents a precise discussion of the varieties of emotional response to films, integrating them into a larger theory of our engagement (or 'identification') with characters in both cinematic and literary fictions. Films and filmmakers discussed include The Accused; Hitchcock (including detailed analyses of The Man Who Knew Too Much [1956] and Saboteur); Godard; Ruiz; Bunuel's That Obscure Object of Desire; Dovzhenko's Arsenal and Preminger's Daisy Kenyon; Bresson's L'Argent; ... |
The Fascination of London: Westminster (Illustrated Edition) (Dodo Press)»rank: 1440982by: Sir Walter Besant, G. E. Mitton, Mrs. A. Murray Smith
: :Sir Walter Besant (1836-1901), was a novelist and historian from London. His sister-in-law was Annie Besant. He was born at Portsmouth, and attended school at St Paul's, Southsea, Stockwell Grammar, London and King's College London. In 1855, he was admitted to Christ's College, Cambridge, where he graduated in 1859 as 18th wrangler. He settled in London in 1867. He took the duties of Secretary to the Palestine Exploration Fund. In 1868 he published Studies in French Poetry. Three years later he began his collaboration with James Rice. Among their joint productions were Ready-Money Mortiboy (1871) and The Golden Butterfly (1876). This connection was brought to an end by the death of Rice ... |